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Kevin Vennemann,

Associate Professor of German; Chair, Department of German
German Studies
Phone: 72502
[email protected]

Pronouns: He/him/his

Office Location: Humanities 215

Office Hours: T, 4:00PM-5:00PM; W, 3:00PM-4:00PM (Fall 2025)

Personal Website:

Academic History

Prof. Vennemann's most recent book, The All-Round Reduced Personality--Redupers (2024), is the first monograph on Helke Sander's classic of German feminist cinema. In 1968, during her legendary “Tomato Speech” at a socialist convention in Frankfurt, Germany, filmmaker and feminist icon Helke Sander famously professed her refusal to continue to accept any “natural division of labor” between the genders. “We cannot wait”, she demanded, “until after the revolution to solve the social oppression of women.” The insistence that the socialist movement expand its limited focus on a single “main” contradiction—capitalism and the empowerment of the working class—to include other, “minor” contradictions such as gender equality and the liberation of women, was met with fury—and with a flurry of tomatoes. Nine years later, in her first feature film, Sander chronicles a West Berlin weekend in the life of freelance photographer and single mother Edda Chiemnyjewski. Played by Sander herself, Edda, and four of her photographer friends are tasked with producing a celebration of life in Berlin for a local artist competition. But in the women's photographs, West-Berlin life is rendered complicated and dark and, paradoxically, not even that much different from its counterpart in the East. Borrowings from essay and documentary film, Redupers, or, All Round Reduced Personality, follows the women through a divided metropolis in search of a language for their situation; reduced in political, social, and economic terms, the celebration they seek to visualize now can only be found in an imagined future.

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Published in German in 2020, Thermodynamics and the Decline of a Family discusses individual, cultural, and societal fatigue in a selection of 19th-century fiction. At the center of the book's argument is the enormous impact thermodynamic physics had on its time and culture—the discovery of thermodynamic entropy in the late 1840s brought the bourgeois dream of eternal human progress to an abrupt end. As a result, the work of many scientists, intellectuals, and artists in late-19th-century Europe is defined by the effort to propagate the importance of a hermetically enclosed social energy system while keeping the overall productivity rate steady and slowing down society’s now-certain exhaustion. Nietzsche polemically summarizes this development by claiming that “bourgeois morality” was invented as a sealant to keep the social body’s energies in check. Accordingly, some of the era’s best- known literary reflections about a tiring world consider the “immoral”, unalienated self and specifically the female self to be the greatest threat to the energy balance of a productive modern society. Works of fiction by Gustave Flaubert, Theodor Fontane, Lew Tolstoy, Henry James, Thomas Hardy, Thomas Mann and others, as the book shows, rarely convey a viable alternative to the tragic narrative which demands the sacrifice of the sinful female body for the greater good. Only later exceptions such as Kate Chopin or Edith Wharton’s novels venture to suggest a vision for the survival of the female protagonist even during times of inevitable exhaustion.

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Another recent book, Sunset Boulevard. On Filming, Building, and Dying in Los Angeles (published in German in 2012), is an essayistic inquiry into the history of Hollywood cinema and the city of Los Angeles at the intersections of architecture, film, and race politics.

Prof. Vennemann's editorial and translation work includes volumes of fiction and non-fiction by Chris Kraus, Mark Greif, Franco Berardi, Milton Rokeach, and Else Lasker-SchĂŒler.

Academic Focus

19th-century comparative literature, film, modernism, Holocaust studies.

Courses Taught

  • Core 1: Truth
  • Core 2: Poetry of the Revolution: Art & Politics of the Manifesto
  • Core 2: Cinema
  • Core 2: Karl Marx and the Critique of Everything Existing
  • Core 3: Building Los Angeles
  • Core 3: Karl Marx and the Critique of Everything Existing
  • German 101B: Vienna Modernism
  • German 103: A History of German Film
  • German 106: German Art 1810-2010
  • German 107: Trauma & Guilt: Shoah Memories
  • German 108: Pop & Protest
  • German 109: Heimat as Dream and Nightmare
  • German 110: Modern Thought I: Karl Marx
  • German 111: Leaden Times. Film after 1968
  • German 112: Modern Thought II: Walter Benjamin
  • German 113: Modern Thought III: Else Lasker-SchĂŒler
  • German 114: DADA
  • German 115: Bauhaus--Workshops of Modernity
  • GRMT 102: Poetry of the Revolution: Art & Politics of the Manifesto
  • GRMT 103H: Karl Marx: Capital
  • GRMT 115: Ways of Writing about Ways of Seeing

Selected Research and Publications

BOOK PUBLICATIONS:

Helke Sander. Die allseits reduzierte Persönlichkeit: Redupers (Munich: edition text & kritik, forthcoming in 2024)

Die Welt vom RĂŒcken des Kranichs. Thermodynamik und der Verfall einer Familie (Berlin: Matthes & Seitz, 2020).

Sunset Boulevard. Vom Bauen, Filmen und Sterben in Los Angeles (Berlin: Suhrkamp, 2012).

Mara Kogoj (Frankfurt: Suhrkamp, 2007). Translated to Spanish (Valencia: Pre-Textos, 2012) and Slovenian (Ljubljana: Matija, 2011).

Nahe Jedenew (Frankfurt: Suhrkamp, 2005). Translated to English (New York: Melville House, 2008), French (Paris: Gallimard, 2008), Spanish (Valencia: Pre-Textos, 2008), Italian (Udine: Forum, 2009), Hebrew (Tel Aviv: Books in the Attic, 2011), Danish (Roskilde: Batzer, 2009), Polish (WoƂowiec: Czarne, 2007), Croatian (Zagreb: Novela, 2009), Latvian (RÄ«ga: Dienas Grāmata, 2008).

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SELECTED ARTICLES

"The Sound of Mucus. 60 Jahre Singen mit den von Trapps," forthcoming in Cargo. Film - Medien - Kultur 2025.

"WirbelstĂŒrme, Erdrutsche und GrossbrĂ€nde: Eigentlich ist es Wahnsinn, in Kalifornien zu leben," in Neue ZĂŒrcher Zeitung, February 2025.

"Do You Wanna See Something?," in Veronika Eberhart: Garten Sprengen (Leipzig: Spector Books, 2024).

"SchlĂŒssel (Dorsten)," in Cargo. Film - Medien - Kultur, September 2022, 9.

"Letter to the World. Helke Sanders Film 'Redupers' (1977) und die Ausstellung 'KĂŒnstlerinnen international 1877–1977'," in Weimarer BeitrĂ€ge 70 (2024), No. 2, 239-260.

"In der NĂ€he sprechen. Trinh T. Minh-Ha’s Poetics of Non-Appropriation,” in Merkur 75 (2021), No. 867, 19-31.

“Schreien und Schweigen,” in German Quarterly 94 (2021), No. 1, 29-33.

"Arbeit und Selbst im Zeitmeer," in Merkur (February 2020), No. 849.

“Was man weder hört noch sieht. Donald Richie und die japanische Ästhetik,“ in Donald Richie, Versuch ĂŒber die japanische Ästhetik (Berlin: Matthes & Seitz, 2018).

“Seasonal Associate—Labor and Self in an Ocean of Time,” in Heike Geissler, Seasonal Associate (Los Angeles: Semiotext(e), 2018), 222-239.

“'Now, you think you're still in the bush some damn where?' Migration und UrbanitĂ€t in den Filmen der L.A. Rebellion,” in testcard. beitrĂ€ge zur popgeschichte 24/26 (2018).

“Das Recht ohne Recht: Rosefeldt, Marx und Tzara, Manifeste und Heiligkeit,” in Tomas Sommadossi, ed., Polytheismus der Einbildungskraft. Wechselspiele von Religion und Dichtung von der AufklĂ€rung bis zur Gegenwart (WĂŒrzburg: Königshausen und Neumann, 2018), 99-120.

“Femina Fabra,” in Edit 26/73 (2017), 6-17. (on journalist Charlotte Beradt)

“Swing Kids,” in Jonas Engelmann, ed., Damaged Goods. 150 EintrĂ€ge in die Punk-Geschichte (Mainz: Ventil 2016).

“1948,” in Neue Rundschau 127/1 (2016). (on visual artists Gwendolyn Knight and Jacob Lawrence)

“1970,” in Metamorphosen 35/5 (2014). (on Israeli architect Aaron Sipol)

“1966,” in Edit 21/57 (2012). (on visual artist Eva Hesse)

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EDITED BOOKS

Chris Kraus, Ehrgeiz, Demut, GlĂŒck. Schriften zur Kunst (Berlin: Matthes & Seitz, 2024). (co-edited with Heike Geissler)

die horen. Zeitschrift fĂŒr Literatur, Kunst und Kritik. Special Edition: Literarische Orte (Göttingen: Wallstein, 2015). (With Jan SĂŒselbeck, Jörg Schuster).

Mark Greif, Bluescreen. Essays (Berlin: Suhrkamp, 2011).

Else Lasker-SchĂŒler, IchundIch (Frankfurt: JĂŒdischer Verlag, 2009). (With Karl-JĂŒrgen Skrodzki).

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TRANSLATIONS FROM ENGLISH TO GERMAN

Chris Kraus, Ehrgeiz, Demut, GlĂŒck. Schriften zur Kunst (Berlin: Matthes & Seitz, 2024). (translated with Heike Geissler).

Chris Kraus, Aliens und Anorexie (Berlin: Matthes & Seitz, 2020).

Milton Rokeach, Die drei Christi von Ypsilanti (Berlin: Matthes & Seitz, 2020).

Donald Richie, Versuch ĂŒber japanische Ästhetik (Berlin: Matthes & Seitz, 2019).

Franco Berardi, Die Seele bei der Arbeit (Berlin: Matthes & Seitz, 2019).

Chris Kraus, I Love Dick (Berlin: Matthes & Seitz, 2017). Paperback edition: Chris Kraus, I Love Dick (Munich: btb Verlag, 2018).

Franco Berardi, Helden (Berlin: Matthes & Seitz, 2016).

Franco Berardi, Der Aufstand. Poesie & Finanzwesen (Berlin: Matthes & Seitz, 2015).

Chris Kraus, Schreib mir! (Berlin: Sukultur, 2013). (With Charlotte Brombach)

Mark Greif, Bluescreen. Essays (Berlin: Suhrkamp, 2011).

Benjamin Kunkel, Ein Schritt weiter. Die n+1-Anthologie (Frankfurt: Suhrkamp, 2008).

Awards and Honors

Mary W. Johnson Faculty Achievement Award 2023/2024 - Research

Mary W. Johnson Faculty Achievement Award 2021/2022 - Teaching

Mary W. Johnson Faculty Achievement Award 2020/2021 - Research